Done: Dorchester Terrace

Now, this was a solid piece of work.

Dorchester Terrace is the 27th novel in the Inspector Pitt series by Anne Perry. This series has been running all the way from 1979 up till today, 2015 (a 31st novel is expected this year). Since this is my very first introduction to the Inspector Pitt series, I get this feeling that I’ve missed out a lot, but the book explains its own sprawling backdrop and history pretty well and I never found myself confused, though I did find myself extremely curious. I am going to set about tracking down the very first novel in the series once I work my way through the pile of library books I’ve borrowed and need to finish.

As fate would have it, though, I think this book is a nice inflection point in the entire story arc as a whole to start off a new beginner with. Inspector Pitt has now been newly promoted to the Head of Britain’s Special Branch (something like an internal security department) and consequently the problem(s) in this book have much more far-reaching political ramifications. Anne Perry wields her strong knowledge of the history of European politics to great effect here, and I am impressed and drawn in by the political web that she weaves around the central mystery. Now this is what I call a “stunning backdrop” to a piece of historical fiction, rich with exquisite detail but yet not overwhelming at the same time.

Allusions drawn to Inspector Pitt’s past as well as the detective and policeman he used to be made me guess that perhaps books prior to this one would deal with more home-grown detective mysteries. As such, I’m pretty glad I started off with this book, because as a starter I can appreciate it on its own without comparing it to previous stories. I’m sure that my love for familiarity and my comfort zone would lead me to lament the more serious direction and political concerns that the plot arc has taken with this book. However, having started on this book and appreciating it for what it is, I can happily continue on chronologically with the Inspector Pitt series with all its political intrigues, and check out the earlier Inspector Pitt stories with its traditional detective mysteries. I’m really excited about both of these different threads.

Anne Perry’s writing style is elegant and confident. She does not aim to make this novel sound like it came out of the Victorian era. Her language is generally modern, but written with a self-assured and well-practised hand so that it does not contrast too jarringly with the era she is writing about. Her focus is not on replicating the era itself in terms of linguistics, but in revolving around the human drama as well as the restricting hierarchies of society at that period. Her narrative style takes one into the minds of several different characters, jumping from Thomas Pitt, to his wife Charlotte, to his ex-boss Victor Narraway, to his aunt-in-law, Lady Vespasia, and so on. We are told the story from the perspectives of several different characters, and as such have a peek as to how they see the problem, themselves, and other characters, while also finding out what other characters think of them in turn. Though the narrative jumps around to different characters, I never found it confusing or hard to follow.

The plot in itself centers around what appears to be two different lines of mysteries. The first one is uncovered by Charlotte’s aunt, Lady Vespasia, who is informed that her former friend and acquaintance, Serafina Montserrat, is unwell and unlikely to recover in her old age. She visits the ailing Mrs. Montserrat, who is not only suffering from the pangs of dementia, but also the paranoia and fear that she might let slip dangerous secrets in her memories to the wrong person when she is unaware of whom she is speaking to. The entire scene, describing the bitterness of aging for such a once-brilliant personage, was heartfelt and impactful. Lady Vespasia, however, is not inclined to completely dismiss Mrs. Montserrat’s fears, although she mostly thinks it might just be pure fancy. She brings it forth to Victor Narraway, ex-Head of the Special Branch, who sets about doing his own investigative work just for the sake of having something to do, having lately resigned from a post he had held for 20 years previously.

Meanwhile, Thomas Pitt, now Commander of the Special Branch, is informed of some suspicious increase of interest regarding train signal points, and is led to believe that a possible assassination attempt might be made there against a minor Austrian Duke, due to visit England relatively soon. Though the Duke himself holds no political significance, but his assassination on English soil would carry with it widespread repercussions throughout Europe, with England at the heart of the mess. He finds trouble getting the Foreign Secretary, Lord Tregarron, to take his fears seriously. These two threads of mysteries seem wholly separate and irrelevant to each other at first, but as the book progresses, they are brought closer and closer to each until their intertwined nature and connection is revealed.

I particularly also love how Thomas Pitt encounters some very realistic problems with taking over a new, powerful position. His ex-boss, Victor Narraway, had held the position of Commander of the Special Branch for nearly 2 decades before him, and as such is given the respect that his post calls for. Thomas Pitt, however, finds that people generally think he might have been promoted before his time, and that he did not have what it takes to fill Narraway’s shoes, which consequently raises self-doubt within him. Most interestingly, Pitt reflects that perhaps it might be his own humble beginnings as a son of a gamekeeper that had held him back in gaining the social standing that his post deserves, rather than experience and skill as people claim. Victor Narraway, after all, was born a gentleman, and after his retirement from the Special Branch, was inducted into the House of Lords. Indeed, various allusions as to social standing is drawn through the novel, giving the world Anne Perry creates yet another facet.

Overall, I greatly enjoyed this book, though admittedly it took me some time to really get into it. Once the momentum started though, it was impossible to put down. I would definitely be finding more of Anne Perry’s books to read.

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